Janhvi Kapoor Grapples with Nepotism Tag despite Career Efforts

Despite Janhvi Kapoor’s notable work in the past five years, her journey in Bollywood continues to be overshadowed by the pervasive “nepo baby” label.

What will it take for her to shake off this image and gain recognition solely for her talent and efforts?

Back in the early 2000s, when Abhishek Bachchan was poised to enter Bollywood, the anticipation among audiences was palpable.

However, this excitement stemmed not from Abhishek himself but from the prospect of witnessing the emergence of a new Bachchan legacy.

The son of legendary actors Amitabh Bachchan and Jaya Bachchan, Abhishek was welcomed with open arms despite initial career setbacks.

Fast forward to the present, and the scenario seems vastly different.

In today’s landscape, newcomers like Janhvi Kapoor face a more critical audience and struggle to garner the same level of support and adulation.

Janhvi Kapoor, daughter of the iconic Sridevi, stepped into the spotlight amidst both fanfare and tragedy.

Her debut film Dhadak released shortly after the untimely demise of her mother.

Initially, there was a wave of empathy and encouragement for the budding actress.

However, this goodwill soon waned, eclipsed by discussions around nepotism within the industry.

Subsequent projects like Gunjan Saxena: The Kargil Girl faced similar challenges.

It was compounded by the prevailing discourse surrounding nepotism in the aftermath of Sushant Singh Rajput’s demise.

Despite Janhvi’s efforts to carve her own path and make discerning film choices, the nepotism tag continues to haunt her.

Films like Good Luck Jerry and Mili showcased her versatility and potential, yet her performances often take a backseat to the nepotism narrative.

Even in instances where Janhvi has delivered commendable performances, her achievements are overshadowed by relentless scrutiny and criticism.

In a candid interview with Aaj Tak, Janhvi Kapoor expressed the emotional toll of being labelled a nepo kid.

She acknowledged the unfair advantage her lineage afforded her in the industry.

However, despite her introspection and resilience, the nepotism tag remains firmly attached to her name.

It keeps perpetuating a cycle of scrutiny and negativity.

Janhvi’s plight underscores a broader issue within the film industry, where actors born into privilege often face disproportionate criticism and scepticism.

While her upcoming projects like Devara and Mr and Mrs Mahi offer opportunities for redemption, overcoming entrenched perceptions will require sustained effort and resilience.

In an industry where narratives are shaped as much by social media discourse as by cinematic merit, Janhvi Kapoor’s journey serves as a poignant reminder of the challenges faced by aspiring actors born into privilege.