Her climb reflects a shift in listener habits.
Jasmine Sandlas has reportedly surged ahead of her Punjabi music contemporaries, becoming the most listened-to Punjabi artist on Spotify based on third-party analytics data.
According to trackers such as Kworb, Jasmine Sandlas currently holds over 26 million monthly listeners, placing her significantly ahead of Diljit Dosanjh and Karan Aujla.
The data indicates Jasmine has reached approximately 26,029,628 listeners, while Diljit follows with 21,849,071 and Karan with 19,915,766, marking a clear lead.
This puts Jasmine ahead of Diljit by more than 4 million listeners and ahead of Karan by over 6 million, based on the same dataset.
While Spotify does not officially publish ranked monthly listener lists, platforms such as Kworb and Chartmetric track these figures using publicly available data.
Chartmetric’s figures also support the upward trend, placing Jasmine at over 24 million monthly listeners, reinforcing her current dominance in the Punjabi music space.
The milestone is being widely discussed across entertainment platforms, with many highlighting Jasmine’s rise as a significant moment for female representation in Punjabi music.
Her climb reflects a shift in listener habits, as audiences increasingly engage with a diverse range of voices beyond traditionally male-dominated charts.
A key factor behind this surge appears to be the strong performance of both her legacy hits and recent soundtrack releases.
Tracks such as Illegal Weapon 2.0 continue to drive massive streaming numbers, with over 246 million plays to date.
Meanwhile, newer songs like Taras and Dhurandhar – Title Track are recording high daily streaming figures.
Established hits, including Yaar Naa Miley, remain consistent performers, contributing to her sustained listener base.
Recent additions such as Shararat have also shown rapid growth, indicating strong audience engagement with her latest releases.
Beyond these headline tracks, a deeper catalogue featuring songs like ‘Illegal Weapon’, ‘LAAVAN’, ‘Sip Sip’ and ‘Bamb Agya’ is helping maintain consistent streaming momentum.
This combination of catalogue strength and fresh releases suggests Jasmine’s rise is not driven by a single viral hit but by sustained audience interest across multiple songs.
Industry observers note that soundtrack placements, particularly from films like Dhurandhar, have played a crucial role in boosting her visibility and streams.
The development also signals a broader evolution within Punjabi music, where female artists are increasingly achieving mainstream commercial success.
As streaming continues to shape global music consumption, Jasmine Sandlas’ current position highlights both her individual growth and a changing industry landscape.
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