“Why does he keep doing these roles every time?"
Danish Taimoor has been at the receiving end of severe criticism from audiences and critics alike.
The primary reason is his apparent habit of repeatedly accepting roles that bear a striking resemblance to one another.
He has been called out for his lack of creativity and versatility in his choice of scripts.
It has been observed that Danish Taimoor’s characters often follow a predictable pattern.
They typically portray a wealthy individual who falls in love with a girl from a lower socioeconomic background.
Furthermore, his characters frequently exhibit a disturbing trait of coercing the female lead into marriage, often resorting to forceful and harassing tactics.
This repetitive narrative pattern has been evident in several of his projects, including Deewangi, Kaisi Teri Khudgarzi and Ishq Hai.
All of these feature Danish Taimoor’s character engaging in similar aggressive behaviour.
The criticism levelled against him stems from his reliance on familiar and overused storylines, rather than exploring more diverse and innovative roles.
A user questioned: “Why does he keep doing these roles every time?
“It was so nice and refreshing to see him in Chand Tara because it was a break from the aggressive roles he’s always playing.
“I’m thinking about how he doesn’t get tired of doing the same storyline over and over again.”
It has sparked a larger conversation about the need for originality and freshness in Pakistani dramas.
One user noted: “He does not take on any new roles because his audience wants to see him in a certain way and production houses would rather not take risks and challenge the audience’s demand.”
Another added: “He’s got typecast. The same happened to Feroze Khan.”
One wrote: “Danish is wasting his potential. He can do so much more, he has so much range. But he is type-casted now.
“I want to see him do better roles like he used to do when he first started acting.”
Another commented: “He’s done some milder roles but it looks like they didn’t do as well as his current ones, he’s probably found what works for him and so he continues doing it.
“Let’s just hope he isn’t like that in real life as well like Feroze Khan.”
One asked: “How low will your standards get Danish Taimoor?”
Another remarked: “Average drama of Danish goes like this: A rich guy falls in love with a poor guy. But then her father disagrees and then he kidnaps her.”
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