“The show is based on my life experiences."
Prashasti Singh returns to Soho Theatre with the English-language version of her acclaimed comedy show, Divine Feminine.
Following its Hindi debut in December 2024 and a run at the 2025 Edinburgh Festival Fringe, the show explores womanhood, therapy, and self-discovery.
Singh draws on her experiences as a single woman in her thirties, navigating societal expectations and the pressures of modern life.
Through observational humour and personal anecdotes, she examines relationships, cultural norms, and the contradictions of feminism today.
Divine Feminine offers audiences a performance that is both entertaining and thought-provoking, blending sharp wit with genuine insight into contemporary womanhood.
Speaking to DESIblitz, Prashasti Singh discusses the show and the differences when it comes to stand-up comedy in India and in the UK.
Life Experiences at the Heart of Divine Feminine
Prashasti Singh draws directly from her personal journey to shape Divine Feminine.
The stand-up comic explains: “The show is based on my life experiences.
“I think I’ve spent a big chunk of my adult life trying to get to a point where I can live as freely as a man only to realise it’s not really that fun up here.
“The regrets, the frustration, the inspirations and the learnings that come bundled with this epiphany have shaped the core themes of the show.”
Her comedy explores the nuances of womanhood, informed by both introspection and observation.
Singh notes:
“At some point, I was feeling that many of my feminist idols are failing me.”
“And I think the transition from judgment to empathy towards these women inspired me to explore what womanhood means in our world today.”
The show captures the humour, complexity, and contradictions inherent in navigating life as a woman, using her personal experiences to anchor broader reflections that audiences everywhere can relate to.
Therapy, Cynicism & Comedic Storytelling
Prashasti Singh credits her experiences with therapy as a major influence on her comedic voice.
She says: “I used to be quite cynical about therapy before finally leaning into it and benefiting from it.
“So while therapy has given me many insights that I use in the show, I also draw from that cynical side of me to make jokes on the culture of therapy.”
Her approach demonstrates how vulnerability and self-reflection can be turned into comedy without losing authenticity.
By blending insights from therapy with her innate cynicism, Singh creates humour that is sharp, relatable, and layered.
She also highlights that personal growth and self-awareness are not just themes but tools for storytelling, giving her material both depth and levity.
Performing Across Cultures
Adapting comedy for different audiences is an art in itself, and Prashasti Singh has honed it through international performances.
On how she has to modify Divine Feminine for different audiences, she explains:
“A lot of themes in the show are universal.
“For the Hindi-speaking audience in the UK, I have to change nothing really.
“But for the English version of the show, which is targeted to a more global audience, a certain level of context setting is required, which also becomes a fertile ground for new jokes.”
Audience reactions, too, vary widely.
“I feel with the audience in India, it’s very apparent when they love a joke and when they hate it.”
“My experience with the UK audience in Edinburgh taught me that they are subtle.
“More patient when they are not fully onboard, but one has to also work harder to get a proper big laugh or an applause break from them.”
Singh is mindful of cultural sensitivities but adds that she has never had to change a punchline and has yet to face backlash for any of her jokes.
Her global experience has refined her performance style: “I think my material has moved from being totally anecdotal to more observational jokes in recent times.
“Over time, I’ve also learned how to incorporate non-verbal elements like facial expressions, body language and deliberate pauses to enhance my performance.
“Also performing for a diverse audience across the globe helps you be more present and contextual in every room.”
Life Beyond Divine Feminine
Prashasti Singh remains open to exploring new themes as her career progresses:
“Ageing and the pressures we put on ourselves as we age/mature/grow up is a topic I have a lot of pains and opinions on, so definitely exploring that.
“Beyond that, life keeps happening so I am sure there will be more feelings about many more things by the time I am done with Divine Feminine.”
Despite the challenges of performing internationally, Singh keeps a pragmatic view of comedy.
She adds:
“Of course, some days are better than other days but that’s how comedy works.”
With Divine Feminine, Prashasti Singh has created a platform to discuss, dissect, and laugh at the complexities of modern womanhood.
Her willingness to explore both personal and universal experiences ensures her comedy resonates across cultures, while leaving ample room for the future evolution of her work.
Divine Feminine reinforces Prashasti Singh’s standing as a comedian who combines humour with meaningful social commentary.
Her work reflects personal experience, professional insight, and a global perspective gained from performing internationally.
Looking forward, she plans to explore ageing, self-expectations, and other life transitions, ensuring her material continues to evolve.
After its Edinburgh Fringe debut, the English-language version returns to Soho Theatre, running from December 15-20, 2025, giving audiences a chance to experience her unique perspective on modern womanhood. Get your tickets here.
Singh’s comedy remains both accessible and insightful, offering laughter alongside reflections on society, identity, and the pressures of contemporary life.
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